This one act play is made available to all. It may be used freely to perform in any environment. No Royalties owed. You do not have to buy multiple copies to perform, copy this book. You may change lines and scenes. Please give credit to the original author as inspiration of the work.The elder Dumas, who wrote many successful plays, as well as the famous romances, said that all he needed for constructing a drama was "four boards, two actors, and a passion." What he meant by passion has been defined by a later French writer, Ferdinand Brunetiere, as a conflict of wills. When two strong desires conflict and we wonder which is coming out ahead, we say that the situation is dramatic. This clash is clearly defined in any effective play, from the crude melodrama in which the forces are hero and villain with pistols, to such subtle conflicts, based on a man's misunderstanding of even his own motives and purposes.In comedy, and even in farce, struggle is clearly present. Here our sympathy is with people who engage in a not impossible combat-against rather obvious villains who can be unmasked, or against such public opinion or popular conventions as can be overset. The hold of an absurd bit of gossip upon stupid people is firm enough in "Spreading the News"; but fortunately it must yield to facts at last. The Queen and the Knave of Hearts are sufficiently clever, with the aid of the superb cookery of the Knave's wife, to do away with an ancient and solemnly reverenced law of Pompdebile's court.Again, in comedies as in mathematics, the problem is often solved by substitution. The soldier in Mr. Galsworthy's "The Sun" is able to find a satisfactory and apparently happy ending without achieving what he originally set out to gain. Or the play which does not end as the chief character wishes may still prove not too serious because, as in "Fame and the Poet," the situation is merely inconvenient and absurd rather than tragic. Now and then it is next to impossible to tell whether the ending is tragic or not. It is natural for us to desire a happy ending in stories, as we desire satisfying solutions of the problems in our own lives. And whenever the forces at work are such as make it true and possible, naturally this is the best ending for a story or a play. Where powerful and terrible influences have to be combated, only a poor dramatist will make use of mere chance, or compel his characters to do what such people really would not do, to bring about a factitious "happy ending." One of the best ways to understand these as real stage plays is through some sort of dramatization. This does not mean, however, that they need be produced with elaborate scenery and costumes, memorizing, and rehearsal; often the best understanding may be secured by quite informal reading in the class, with perhaps a hat and cloak and a lath sword or two for properties. With simply a clear space in the classroom for a stage, you and your imaginations can give all the performance necessary for realizing these plays very well indeed. Of course, you must clearly understand the lines and the play as a whole before you try to take a part, so that you can read simply and naturally, as you think the people in the story probably spoke. Some questions for discussion in the appendix may help you in talking the plays over in class or in reading them for yourself before you try to take a part. You will find it sometimes helps, also, to make a diagram or a colored sketch of the scene as the author describes it, or even a small model of the stage for a "dramatic museum" for your school. If you have not tried this, you do not know how much it helps in seeing plays of other times, like Shakespeare's or Moliere's; and it is useful also for modern dramas. Such small stages can be used for puppet theatres as well. "The Knave of Hearts" is intended as a marionette play, and other dramas-Maeterlinck's and even Shakespeare's-have been given in this way with very interesting effects.
the wave theory foundations of today's radio occultation techniques<br> <br> Forty years ago, the premier radio occultation problem was how to profile the atmosphere and radius of Mars using signals sent by the Mariner 4 spacecraft. Researchers then could rely on ray theory-based techniques for accurate analysis of the thin, uniform Martian atmosphere. Today's radio occultation challenges mostly involve communications platforms-and related data, instrument systems, and applications-in the Earth's own atmosphere. To deal with the density and complexity of this multilayered medium, an analytical framework that goes beyond ray theory is needed.<br> <br> Setting the cutting edge for the field, Radio Occultations Using Earth Satellites: A Wave Theory Treatment develops a purely wave-theoretic approach to occultation analysis. This approach yields more nuanced results than either ray or hybrid (ray/wave) methodologies offer, and proves suitable for the many variables at work in today's problems.<br> <br> This groundbreaking text provides:<br> * An introduction to the general theory of radio occultations<br> * Development of ray theory and scalar diffraction treatments of radio propagation processes<br> * Development of a wave theoretic treatment of the above wave propagation processes<br> * The correspondence between wave and ray theories<br> * A discussion of how to use a wave-theoretic approach to infer the refractive properties of the propagation medium from a time series set of observations of the propagated wave's phase and amplitude<br> <br> A comprehensive resource that clearly defines the latest topics and methodologies, Radio Occultations Using Earth Satellites is a must-have text for engineers, scientists, students, and managers in satellites communications, navigation, deep space and planetary exploration, aerospace, atmospheric science, physics, and engineering.<br> <br> The Deep Space Communications and Navigation Series is authored by scientists and engineers with extensive experience in astronautics, communications, and related fields. It lays the foundation for innovation in the areas of deep space navigation and communications by disseminating state-of-the-art knowledge in key technologies.
Descartes' Meditations is one of the most important texts in the whole history of philosophy. Descartes is widely regarded as the father of modern philosophy and the issues raised in the Meditations have often been taken to define the very nature of philosophy. As such, it is a hugely important and exciting, yet challenging, piece of philosophical writing. In Descartes's Meditations: A Reader's Guide, Richard Francks offers a clear and thorough account of this key philosophical work. The book offers a detailed review of the key themes and a lucid commentary that will enable readers to rapidly navigate the text. Geared towards the specific requirements of students who need to reach a sound understanding of the text as a whole, the guide explores the complex and important ideas inherent in the text and provides a cogent survey of the reception and influence of Descartes' seminal work. This is the ideal companion to study of this most influential and challenging of texts.
Robin Sheppard had always seemed like a lucky guy! Proud father of two sons in their late teens, Sam the eldest (the musical one) and Charlie (the artistic one); still good friends with his first wife Georgina known always as George and partnered by the effervescent and indomitable Suzanne known by all as Suzi; when his hitherto contented life took a different turn. He had bounded through 50 years of an unfettered existence working in places that didn't feel like any factory or office you might know. A universe largely comprising five star hotels set in manicured gardens, with fine wines, fabulous foie gras, and outrageous flower arrangements, speckled with well heeled customers in which the anticipation of their needs was paramount. After growing up in Bath he had become an hotelier who delighted in operating some of the very best of Britain's hotels, winning hotel of the year prizes along the way, before founding with some like minded chums, his own specialist hotel operating group. Ending up in London he presided over an empire of a dozen or so glamorous hotels which featured architecture of the grade one variety, decadent decor, period fixtures in capability parkland surroundings, and food of the highest standard. His was an untroubled workplace. Taking time out along the way to invent the truly iconic, deep blue, skittle shaped, Ty-Nant mineral water business and then a niche adult soft drinks business he became an entrepreneur without ever knowing it and a role model for many a novice hotel student along the way. Then things changed. A Solitary Confinement is the inspirational story of Robin's encounter with Guillain-Barre syndrome. "It's a great read, sad and funny. The piquancy of the humour sits right up there with Tony Hancock in the Blood Donor when he asked for a badge to be inscribed, 'nothing pretentious, just they gave that others might live'......" Andrew Mourant, 'The Independent' "Magnificent, he ought to change jobs, retire somewhere gorgeous and just carry on writing ..." Dominic Walsh, 'The Times'"
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