Many organizations worldwide are currently exploring the potential gains to be made from working with virtual teams. Although many different things are meant by use of 'virtual' (and indeed by 'teams'), usually it denotes groups of people with common purpose and goals working in different locations and often different time zones; they will be interconnected via a variety of telecommunications networks, perhaps including the Internet and intranet, video conferencing, shared white boards, as well as telephone, mail and e-mail. For organizations implementing such virtual teams there is a great need for guidance, in terms of the organizational structure and support which needs to be put in place. This book offers a practical guide to developing virtual teams, providing both an overview of what is involved and also a clear simple framework around which organizations can build their own implementation process. Although the different support technologies are discussed (at a generic level), the thrust of the book is on the organizational and human factors issues which must be addressed to make virtual teams a success. It contains detailed case studies to show how virtual teams work and where they can go wrong.
First of all thank you for visiting !All the drawings you are going to see are in black and white because, to put it in a nutshell, I had difficulties with the printing quality of my pastels on coloured sheets. My fault! Anyway, I named my present book: The Pearl and Jay Gallery because it is sexier than black and white, isn't it ?May I introduce myself ? I am French so I apologise in anticipation for my mistakes.I am Marie Gallicher, I am an amateur artist who decided to draw more seriously in 2005 when I found out there was no French Wikipedia page about Eric Porter, the British classical actor. So I created it after having been seeking for months articles and obituaries in English on Internet and translating them into French. Then, I took a breath and stepped forward to draw when it came to the illustration of the article: why not? (It was crucial because years after I was approached by Helen Monk thanks to my portraits of Eric and we worked together on Eric Porter's biography, my dearest dream.)Once the Wikipedia article was completed I decided to show my drawings on an amateurs artists' website and to my sad surprise, reactions were violents : Â« What ? Why always this Eric Porter ? Â» So, after having (morally) slammed the door, I calmed down: I decided, on one hand, to enter the Saatchi Gallery Showdown Contest and on the other hand, to draw other subjects. You know, I am a bit quick-tempered sometimes. I began by pencil (I didn't even mention it under the drawings whereas graphite is indeed quite a noble word) because I believed that black and white was easier to deal with, then I tried charcoal (and dusted my hands !) and after that, I tried pastels. In the beginning, these pastels of mine looked very much like children's drawings with no depth, no contrast. I learned to play with charcoal and white pastel, with coloured pastels and sanguine and tried...hard. Hope I improved my skills a little (You can sleep tight Leonardo!)Though I was not too bad in art at school, I had nothing more than the ordinary training you get there. I am a self-taught artist who loves visiting museums, can dive during hours into a drawing, fighting to catch the look alike (sometimes I lose).When a child, I had fun by drawing with a pen on my mother's writing paper she used to send letters, she didn't appreciate my artistic appeal that much when it occured to me to draw on our flat's paperwall and on some expensive books (no Internet to express oneself at the time). Yes I was born in this incredible world of 1962 when there was no Internet, 2 channels on the TV (a black and white one besides) and no mobile, no micro-wave devices, no Facebook and no Twitter. So you will be understanding about my ability to communicate : I am a real T-Rex. And YES, I wonder too how possible it was to ever survived in such a world !
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